Painful, Ironic Twist: Sailor Moon's Ratings Were Too Good!
Sailor Moon had terrific ratings but was dropped because it
was hurting the new series, Hamtaro. Sailor Moon attracts
girls, the hamster ended up attracting boys and needs more of them to
survive. The Cartoon Network replaced Sailor Moon with Ed,
Edd n Eddy to help its sick, expensive hamster and has plans for
Toonami to attract mostly boys (for at least until the end of the
year). It looks like a losing battle for the network but not for
From now until August 31st, Sailor Moon fans (and anyone else you can
get) are urged to email Kids' WB
demanding that they get Hamtaro now!
Since when do networks listen to fans? And what good would it do to
move a hamster's cage? Read on to find out how & why.
Sailor Moon's Terrific Ratings!
"This is sailor business!"
Tips On emailing Kids' WB
On their Homepage, look for the link "EMAIL US" and click on it. A
window should pop up and you can write them an email there.
Don't mention Sailor Moon. But write whatever you think is best.
- A fan we know doesn't have cable, they should definitely write that
they want Hamtaro on regular TV.
- One fan has cable but it doesn't carry the Cartoon Network, they want
to see Hamtaro on TV.
- Another fan can only use one of those portable TVs in the afternoons
and could watch the hamster on that.
- A different fan is not allowed to watch the TV with cable in the
afternoon, they want to watch Hamtaro on their other set.
- And one fan has complained that their new digital cable keeps on
breaking up and the old TV stations look better.
- Finally, one fan says that Hamtaro comes on one hour too
early where they live but Kids' WB comes on at the right time.
"Even their website seems like it's for kids!"
Although a problem in the past (before June 2001), the recent broadcast
of the series was very successful reflecting perhaps pent-up viewer
demand and the efforts by fans to attract new & old viewers. The Save
Our Sailors campaign (SOS) was almost immediately informed by a rival
network that the ratings were, "...very good, way too good
for an old show." And although the Cartoon Network tried
to hide how good, they did publish some data which sheds some light on
the subject. (See the Ratings Sidebar on this page).
The ratings may have renewed interest in dubbing Sailor Stars
by the network. (A special note to the Cartoon Network & Cloverway:
Please budget plenty for M&E editing. If you don't, this project could
prove to be a huge waste of time & money. You will be receiving
information on this within a few months--it will soon become our highest
Our recent phone & email campaign (in protest of the removal of the
series) accomplished some unexpected positive results. We have learned
that some of the executives & staff at the Cartoon Network (for over a
year), may have mistakenly believed that viewers were losing interest in
the show. Normally, when a program is dropped or briefly re-emerges as
Sailor Moon has in the past, the network receives phone calls &
emails asking questions or making protests. But Sailor Moon is
the only Cartoon Network show with an active online campaign;
this campaign. Unlike other shows, Sailor Moon fans are
informed and usually warned in advance of any changes concerning the
series. There is less need for fans to contact or protest to the
network (especially when we explain the circumstances).
But that did not happen this time; and it may have been one of the
best things that ever occurred.
One of our industry contacts heard rumblings of a possible change to the
schedule and telephoned a Cartoon Network executive about 1 1/2 weeks
before the show was dropped. The contact was assured that no changes
were planned. The executive may not have been fully informed or told
not to say anything. A few days later, some of the online TV schedule
sites started to list Ed, Edd n Eddy in the timeslot (and, on the
Cartoon Network's own site, that Sailor Moon would not return for
the rest of the month). Fans instantly warned us. But our industry
contact (who had been usually right about these things in the past)
assured us that this was a mistake and that Sailor Moon would
indeed continue to be broadcast.
But then, on Monday, July 8, 2002, at 3:30pm Eastern Daylight Time,
the show did not air and news of it spread quickly across the
United States (and the rest of the world). We were immediately flooded
with emails. New & old Sailor Moon fans were upset, confused and
"On our command, unleash Hell!"
Feeling utterly betrayed we called for a phone & email campaign in
protest over the sudden departure of the show. Posted first on our
Tickertape on Tuesday morning, July 9th and then later as the lead story
on our site, we called upon fans to telephone & email the network at
their main number (which does not interfere with their individual
lines--they're on a different exchange). The network's channels of communication with the public were,
reportedly, besieged by Sailor
Moon fans and those fans only for the remainder of the week. We do
not know any statistics (we wouldn't expect a network to acknowledge
fans' power) but we have been told that executives & staff now know that
there is a lot of intense interest in the show by many, many fans. If
the ratings didn't convince them, the onslaught of thousands of phone
calls & emails did. And despite what some may think, we didn't receive
a single complaint from the network concerning your phone calls &
emails. A big congratulations to all fans for being so nice!
The question may arise: Maybe fans should act more independently and
not together via our campaign? But if they did, the Cartoon Network
would no longer be surprised and would treat Sailor Moon like any
other 7 year old show which failed in syndication, is readily available
in Home Video and with its latest episodes repeating poorly in
broadcast. It's only when we act together that we have so much more
One aspect which we do not want to confirm is that one key Cartoon
Network executive may have claimed to another executive (outside of the
Cartoon Network) that they didn't know of any recent protest at all for
any show. Huh? We hope that this person was flat out lying because if
this executive has been shielded by lower level executives who are
embarrassed by the campaign, well then events are only going to get
worse (but not because of us as you will soon read).
We here in the top secret underground SOS playroom don't like what we
had to do and our history of avoiding conflict should bear that out.
The last time we did anything like this was in early 1996 when Andy
Heyward (President of DiC) suggested to us that we encourage fans to fax
Bandai of America to return as a sponsor of the original syndication
run. That, turned out to be not a great idea.
"According to this
you've been replaced because of a... hamster?!"
The Future Of Sailor Moon On The Cartoon Network
The network currently, as far as we can determine, has no plans to air
any episodes in the near future. The Save Our Sailors campaign believes
that the earliest the show could return is in January/February 2003 and
that the latest would be in May if the episodes were run in a marathon
(which we are not in favor of). (The features should be repeated
It is also possible that the network will not run any episodes again
and allow the 2 contracts (DiC & Cloverway) to simply expire. Another
possibility (thought to be unlikely until recently) is that the network
could continue to renew these contracts to ensure that the series &
features (and possibly Sailor Stars) do not fall into the hands
of their new competitors.
The DiC episodes are renewable from the Program Exchange at the end
of every May until 2004 when they are expected to revert back to the
original producers, Toei Animation. The Cloverway episodes were
produced exclusively for the Cartoon Network for premiering in June 2000
and are expected to expire during the Summer of 2003 but can be
Is It 2001 All Over Again?
For over a year (since June 2001), AOL/Time Warner networks have aired
only 31 episodes of the 158 they have available:
The abrupt cancellation of the most recent run was not due to the
show's ratings (they were great!) but due to the kind of audience
New Magic Trick:
Every Afternoon, Hamster Turns Into Turkey
The Cartoon Network scheduled Sailor Moon to help rebuild an
audience for the revival of the 3rd hour of Toonami as well as a lead-in
for the afternoon broadcast of their new, very expensive (for Toonami)
series, Hamtaro. Getting the hamster show was expensive so
that's the reason why the network has been running it twice each day
(7am & 4pm) in an attempt to create excitement about the series and find
where it would attract the desired audience.
The major reason why they spent so much money to buy the hamster is
because the network wants more 2-11 viewers (which is the where the bulk
of money is for Kids TV). One of our correspondents related, "2-11, 2-11, that's all they would talk about!"
There is the possibility that the network is working under the
assumption that they already have all the afternoon 9-14 viewers
possible and that the only way to grow (get more viewers) is to attack
other younger-skewing networks with programs like the hamster.
Sailor Moon attracts somewhere around 55-65% girls with the
strongest age group 12-16 years old. The afternoon broadcast of
Hamtaro has ended up attracting mostly boys skewing to the older
side of 2-14 years old--surprising both us and perhaps the network. (In
Japan, the hamster's audience begins to drop off rapidly above 11 years
old which seems identical to the morning hamster in the United States).
Even though all anime attracts older and more boy audiences than in
Japan, we thought the hamster should still skew towards younger girls
than the results have indicated. Not surprising however, is the
incompatibility of age groups. Sailor Moon has always attracted
one of the oldest audiences in Toonami.
Sailor Moon was attracting a large audience that was losing interest
in watching a show about a hamster and (perhaps worse) those who did
watch were seeing commercials not geared for them.
TV networks sell commercial time in blocks (like 4-7pm) or (for more
money) to certain programs. Networks make a minimum guarantee of how
many people and what kind of people will see advertiser's commercials.
Even though the Cartoon Network has privately (and publicly) admitted
that Toonami does indeed skew older, the network was promising
advertisers a younger crowd for the afternoon hamster.
Meanwhile, the network didn't expect Sailor Moon to perform so
well and (as observant fans may have noticed) hardly booked any
commercials for the time period. During the first few days (or maybe
even weeks), viewers were treated to almost commercial-free runs of the
odangoed one. The network started the Sailor Moon run with the
longest available version of the program (only one commercial break
within the story) generally used by countries with more limits on the
number of commercials within Kids TV. This version even included the
optional "Sailor Says" which appears at the end of each DiC episode.
Even worse, the network was running interstitials (promotions for
other Cartoon Network shows) during the program when it could have been
making money if they had booked commercials instead.
So now the network was stuck with a cheap series (the DiC episodes
are not expensive) that they could run at anytime ("at will"), getting
lots of viewers with hardly any commercials booked (worth thousands of
dollars each--going down the drain) while the very next program (the
hamster) was one of their most expensive series which had been promised
to advertisers ("locked in") which attracted an audience the network
already had (9-14 year old boys) but with commercials geared for a
younger (perhaps more female) audience (2-11) which wasn't showing
(To be fair, to some advertisers [candy, soft drinks] it doesn't
matter if the audience is primarily boys or girls, 9 or 16. But to
others such as toy, movie and cereal manufacturers it can make a big
Isn't this junk on enough times of the day already?|
Network Commits Hara-Kiri!
The Cartoon Network decided (depending upon whom you ask) to hide or
save Sailor Moon for another day. (Well that's better than
moving it to mornings!)
Ed, Edd n Eddy was chosen since it attracts almost the same
demographic as the hamster and skews young. It should provide a better
lead-in. (Also, it helped that the Cartoon Network already owned
Send In The Boys!
The problem with these developments and upcoming plans is that Toonami
is basically becoming a junky, boys only block. The hamster, and then
the Eds, are steering the network towards a "No Girls Wanted" zone.
Towards lots of mecha, fighting and things that can only go "boom."
The huge problem with boy blocks is that while they may bring quick,
temporary relief they can lead a network into almost drug addict-like
behavior--looking for more & more of the same thing until they get blown
out of the water by a rival network usually with a truly ridiculous
show. (Pokemon & Nick Jr. on CBS Saturday mornings are the best,
(Noticing this in their own special way is, or what was, the CNX
Toonami site. A longtime fan of everything Toonami, they've become so
disgusted with the block that they're changing their site to cover other
networks & venues. We think that this is a real warning sign which the
Cartoon Network will ignore.)
"There's nothing for me to watch!"
While we hope that this is not the fate for Toonami and that Sailor
Moon returns in early 2003 with a deal for Sailor Stars, the
Save Our Sailors campaign will go back to courting some rival networks
until it sees some change in direction. Dropping the show will not help
in any negotiations for Sailor Stars nor for any other, new anime
Already we have heard some backlash concerning the handling of
Hamtaro back in Japan. In researching part of this story, the
aforementioned industry contact heard the following from one of his
Japanese counterparts, "They told me that the Cartoon
Network is held in high esteem but they have caught onto the idea that
Hamtaro would have been more of a success on another network.
They feel that (the) show is not reaching the maximum potential
audience." We think that "maximum potential audience" is
code for Nick Jr. (We didn't know that the Japanese were that familiar
with U.S. networks!)
The Irony Does Not Stop
We know of a network where the hamster would have performed better!
They already skew younger boys than the Cartoon Network. This better
network is called Kids' WB!
And so this is why we are asking you the fans to send an email to
Kids' WB to get Hamtaro. With that expensive, sick hamster off
the Cartoon Network there would be more room for Sailor Moon and other
shows like her. Now there's no guarantee that the Cartoon Network would
end up programming Sailor Moon in the hamster's place but if they
didn't, well, that really would be hara-kiri on the
Used & Abused?
And then what about the theory which some fans have raised? They
suspect that the Cartoon Network might have secretly planned to schedule
and then abruptly drop Sailor Moon all along. That the network
would use the efforts of Sailor Moon fans to help attract as many
viewers as possible back to Toonami and Hamtaro and then drop
their favorite show. While definitely a possibility we're pretty sure
that the network never expected such a lop-sided reaction. When those
ratings came in, the network probably realized what it had inadvertently
created and then knew that they would get in some sort of trouble upon
The network attempted a low key approach. Fans might recall that
they saw no commercials for Ed, Edd n Eddy to replace Sailor
Moon and that the network waited until the very last week to make
the changes to their online site. Still, the network seemed ill
prepared for losing thousands of viewers (and receiving thousands of
phone calls & emails in protest) and should have, at the very least,
scheduled the Sailor Moon features for Fridays in August. The fact that
they didn't shouldn't necessarily be construed as spite, it could easily
be a sign of more, poor planning.
Our penguin friend goes on one of his rants.
And, How To Position Yourself To Get Fired From A Network!
Kids! Don't Let This Happen To You!
On July 28, 2002, the New York Times published what is called a "puff
piece" concerning Hamtaro. A puff piece is when the writer
doesn't investigate any of the claims made and helps the subject get
In this case, the Cartoon Network (who may have not asked for this
story) seems to want to convince the advertising community that the
hamster is a hit regardless of who has ended up watching it. (Except
the network must already know how the advertising community feels about
this situation. For whom was this "story" written?)
Below are two excerpts from the story, "A Hamster With a Mission: To
Make Billions, Gently" written by J.D. Considine. It appeared in the
Arts & Leisure section.
Nonetheless, "Hamtaro" has succeeded with that most
finicky of audiences, pre-adolescent boys. It has been a hit for
Cartoon Network, earning its highest ratings with boys ages 9 to 14.
Its 7 a.m. weekday broadcast, in fact, is the highest-rated show on any
network among children 9 to 14, according to Cartoon Network. Even more
impressive is the fact that "Hamtaro" has done well whether positioned
as an early-morning kids show, or as part of Toonami, Cartoon Network's
afternoon teen-targeted anime block.
"finicky"? Not for Toonami! As they admit below, they were
expecting (and wanted) younger viewers and more girls!
"a hit"? Perhaps the writer needs a complete Nielsen report for the
"highest-rated show on any network among children 9 to 14" Because
kids 2-11 hate the hamster so much, they'd rather watch repeats!
"Even more impressive" Impressive that it fails to attract Kids 2-11
in both time periods?
"according to Cartoon Network." Ahhh! No need to do any
investigating! (And of course, no mention of any protests concerning
any other show. A protest? It never happened!)
"is the fact that "Hamtaro" has done well" A fact?! According to
whom? To the writer? To the Cartoon Network? Has the writer compared
the delivery, ratings & shares to Toonami in 2000? They haven't? Send
them over to cover how great Enron, Worldcom & Global Crossing are
Later in the story, an executive for the network (unwittingly?) set
themselves up as the person to blame come this Fall.
"When we first got the show in, the thinking was that it
was probably a younger-audience show," said Sean Akins, creative
director for the Toonami block. "And then we all started to watch the
show." Mr. Akins's crew, which he describes as "a bunch of bald-headed,
tattooed tough guys," was smitten. "When most people look at it, they
think it's going to be for little girls," he says of the show. But, he
says, the ham-hams' antics "can be very funny at times."
"a bunch of bald-headed, tattooed tough guys" Such lousy spin! Sean
can't even say that his staff likes this show, he has to turn it into a
joke! Below, for the record, are photos of the Toonami staff.
"can be very funny at times" Because at other times they are what,
so boring? So stupid? So idiotic? So inane? So colorless? So
clueless? Oh wait a minute that's not the ham-hams' at all, "in fact"
Thank you Bad Badtz Maru for another fair & balanced report!
Network Shoots Itself In Foot, Again|
And, now you know why math is so important!
Part of this report is based on data which we were given but cannot
post unless the Cartoon Network publishes it first. We can however post
some numbers since they were publicized by (who else?) the Cartoon
Network. As usual their press releases reveal far more than they
intended. And we've noticed that they've dropped the Turner Research
authors names; a good idea, we'd be embarrassed too right about now.
(But having said that it seems so unfair, even to us, that a cartoon
network should have to go through this sort of scrutiny. Shouldn't it
be a news network or some top rated broadcast concern that should have
to endure this sort of analysis?)
But one of the reasons why we've conducted such analysis is to
rectify possible inaccurate statements made by some Cartoon Network
employees. We have received emails saying that at least one telephone
operator was claiming that Sailor Moon was dropped because of
poor ratings. We trust that this operator was either making an
assumption or was misinformed on the subject.
We must note that the Cartoon Network did not publish any ratings on
Sailor Moon. Had they done so, it would have taken the spotlight
off of Hamtaro which has been the purpose for their recent press
releases. Most of the ratings you'll read below concern the
We've linked rating periods to the Toonzone site which has posted
press releases with the published ratings from the Cartoon Network.
We've selected Toonzone this time in the hope that they would start
analyzing claims made by such companies or cease to post them. (But
maybe they don't dare since AOL Time/Warner has paid them money to put
advertising on their pages.) Otherwise Toonzone is an excellent site
and seems to have the best message board on Toonami. Fans should take a
good look at the original press releases and compare them to the actual
information we have distilled below.
Fans should be wary of what they don't see reported. When the
Cartoon Network chooses not to publicize a certain
delivery, rating or share; you can depend upon the assumption that it
was because the number wasn't all that good or downright terrible. This
is not true for other networks who, for the most part, do not publicize
their ratings in ways that the Cartoon Network has.
Against our standard practice, we've included a number that is
usually ignored: The % increase of the audience as compared to the same
time last year. Normally, this sort of comparison should be dismissed,
since at this same time last year the Cartoon Network wasn't allowed to
compete against Kids' WB (which we've nicknamed, "The Summer of Love"
for short). So this year's percentages should automatically be huge!
But these percentages do have some importance because this is the start
of Summer--when most shows lose viewers as the months drag on. Since
Hamtaro is supposed to be the new, hit program for this year, we
should see ever increasing percentages during the Summer compared to
(Now if analyzing ratings were our job, we'd research and report
which shows were on in these slots last year. But just figuring these
out took a week! So please forgive us for not going into even more
In a way, the percentage of viewers compared to last year is a better
indicator of how a new show is performing than the actual number of
people watching. Remember, during the Summer, a new show will lose
viewers but should gain in percentages from repeats on last year.
And all of these statistics can also be used to forecast how a show
will perform against competitors' new programming in the Fall.
Speaking of competitors, the hamster's number one competition in the
afternoon is Pokemon on the Cartoon Network's sister network,
Kids' WB. The reason they're up against one another is because that's
the way the networks pitched their upfront sales to advertisers. The
networks said, in effect, buy time from us and you'll be guaranteed to
reach most 2-14 viewers available. We haven't bothered to figure out if
that's true but it sure doesn't seem that way.
Pokemon had just switched from 3:30pm to 4:00pm EDT & PDT and
was in repeats during the period tracked below, so there was no special
activity to draw away viewers from the hamster. Let's see how the
oversized rodent (and by extension, the Moon Princess) performed, shall
Sources: Turner Entertainment Research from Nielsen Media Research
data and Cartoon Network Press Department. (All ratings based on
coverage homes for the network.)
Rating Period: 6/03/02 - 6/09/02
|Age||7am || % ||Age || 4pm || % |
|* = Chose not to publicize|
Above is the first sign that Sailor Moon has a large audience
and is driving the afternoon hamster the wrong way. The hamster's
strength is in 2-11; now imagine how much Sailor Moon (an older
skewing show) received right before it.
Below is how the morning hamster, Sailor Moon and an extra
hour of Toonami (with the afternoon hamster) helped affect the day
ratings for the network:
"Cartoon Network earned its highest weekly tweens 9-14 and household
total day deliveries ever, up 34% (333,000) and 21% (1,064,000),
Notice that the above gains were not from the hamster's key
demographic (2-11) but were probably from Sailor Moon &
Zoids (4:30pm). But as the sentence below reveals, the most
consistent (but not the biggest gain of) viewers all day remain kids
2-11 (and these gains were probably due to the hamster):
"In total day, the network scored #2 in delivery of both kids 2-11
(809,000, up 9%) and kids 6-11 (470,000, up 19%)."
Above, notice the decline in gains from last week.
Below, notice how Sailor Moon and Zoids continue to
help deliver 9-14 year olds:
"Overall, Cartoon Network earned its highest-ever weekly tweens 9-14
and household total day deliveries, while both demographics also tied
their highest-ever weekly total day ratings, the highest so far in 2002.
Tweens 9-14 earned an average 379,000 delivery (up 25%) and a 2.0 rating
(up 11%). Households scored a 1,101,000 delivery (up 15%) and a 1.4
These are all good numbers but not great. Toonami here is still not
back to where it should have been. After this report there is no
published data to show how Sailor Moon was performing. (The
absence of the show became apparent with reports in late July.)
Rating Period: 6/17/02 - 6/23/02
|* = Chose not to publicize|
Above, it becomes very clear that the hamster is a boys show which is
not really for 9-14 year olds. Girls 9-14 seem to have made up about 1/3 of the 9-14 audience and
began to stop watching the show and that's why
the network stopped reporting them. (And that's also why Sailor Moon's
afternoons were numbered.) The afternoon hamster must have really
turned bad for the network since there was no glowing reports of them at
all. With The Powerpuff Girls Movie about to premiere in about a
week and a half, that series started to heat up. Wanna see what a real
hit show looks like? (And these are just repeats!) Here it is!
|THE POWERPUFF GIRLS|
|* = Chose not to publicize|
Wow! That's impressive! And notice how the Powerpuffs is
not a girls show! (At least not in the afternoon in
repeats; we bet it does better at night with premieres.) And adults
were watching during the day as well:
"Households were up 59% in delivery (1,501,000) ... Adults 18-34
posted the largest increases of all, up 111% in delivery (207,000)...
But this was an unusual week for the big-eye challenged as the
" ... (T)he series was the highest-rated program in its time period
on all television - broadcast and cable - among kids 2-11, kids 6-11 and
Above, during this week the network gave up reporting actual delivery
(the number of viewers) and detailed only Nielsen ratings compared to a
Below, the network did detail one important gain (again directly tied
to Sailor Moon & Toonami):
Concerning days, the network " ... charted its best-ever June ratings
(and tying best monthly ratings ever) for tweens 9-14 (1.8, up 6
Yet the hamster doesn't seem to have delivered where they wanted it
"For the first time in its history, Cartoon Network surpassed 1
million homes in weekly total day delivery for the entire month
1,042,000 homes (up 11 percent monthly average); Tweens 9-14 delivery
grew by 19 percent to 343,000 viewers; Kids 6-11 delivery improved by 6
percent to 466,000 viewers; Kids 2-11 delivery increased by 3 percent to
An only 3% increase from a year ago! So what this might mean (we
don't have this data) is that the kids who watch the hamster, do not
watch other shows on the Cartoon Network. (Not good. Pokemon
single-handedly made Kids' WB the number one afternoon network for Kids
2-11.) Meanwhile, can anyone guess by now why the Cartoon Network saw
its greatest increase in ages 9-14? Hhhmmm..... (It wasn't just daytime
repeats of the Powerpuff Girls.)
Rating Period: 7/01/02 - 7/07/02
|* = Chose not to publicize|
Above was the last week of Sailor Moon as the lead-in for the
afternoon hamster. The huge jump in percentage of Boys 9-14 was
probably due to the program in that slot a year ago (which was probably
geared to very young kids and/or girls). The number of viewers
(214,000) was actually less (309,000) than just 2 weeks earlier.
|DELIVERY PERCENTAGES BY WEEK - 7am|
|* = Chose not to publicize|
Above, as time wears on, the percentages reveal which age groups will
lose interest in the Fall (definitely 6-11 and, though the data isn't
posted, 12-17 as well). Overall, the percentages (or the lack of them)
are not that good. 2-11 should be increasing every week (and the
network would be publicizing that).
Below it becomes clear how Summer can take its toll on the number of
|DELIVERY BY WEEK - 7am|
|* = Chose not to publicize|
The hamster started terrific then dropped off which is typical for
most shows--but unacceptable (and not typical of) what was hoped to be a
blockbuster (like Pokemon). And worse, back in the Summer of
2000, the Cartoon Network wasn't losing as many viewers since Sailor
Moon S was in its premiere run. (And 2001 was, of course, "The
Summer of Love.")
Overall the hamster is performing good but not great on the Cartoon
Network. The show might have performed better on Nickelodeon or the new
4Kids block on Fox. But it seems clear that Hamtaro may lose
too many viewers come Fall. If the Cartoon Network should attempt to
save it further, the next headline could easily read, "Trying To Turn A
Hamster Into A Silk Purse."
Rating Period: 7/08/02 - 7/14/02
With Sailor Moon shelved, the Cartoon Network went to
ridiculous efforts to prove that Ed, Edd n Eddy would turn out to
be a successful replacement (that, wouldn't be known for another 2
weeks). Their next press release made, what has to be, one of the most
desperate claims made by a modern TV cable network (and one which could
easily run afoul with children advocacy groups and the U.S. Congress, no
less). They actually wrote:
"Cartoon Network enjoyed the three highest-rated shows on television
Friday night with key kid demos:
Ed, Edd n Eddy (10:30 p.m.) placed #1, followed by Courage the
Cowardly Dog (11 p.m.) at #2, and Dexter's Laboratory (11:30 p.m.)
ranked #3. Kids 6-11 earned a 5.0 rating (+6%), kids 2-11 earned a 4.9
rating (+9%) and tweens 9-14 earned a 3.4 rating (+31%). Households
earned a 2.0 rating (+11%). Delivery increases include a 41% gain with
tweens 9-14, a 17% gain with kids 6-11 and a 21% gain with kids 2-11.
Household delivery also improved by 21%. Ed, Edd n Eddy (10:30 p.m.)
was the highest-rated program on television Friday night with kids 2-11
(6.3), kids 6-11 (6.6) and tweens 9-14 (4.9)."
So what the network has claimed here, in effect, is that they are
somehow successful in making America's children stay up late, way past
what would be considered a normal bedtime. And from a business
perspective, what does it say about your network when you have to make
such a claim? "We have the top rated kid shows (that started at 10:30pm
on one Friday night)!!!"
Cartoon Network, this has just got to stop! Puhleeze just put our
show back on the air and make some money already!!!
This hamster needs a new, more suitable home -- and fast!